Cynthia Ripley Miller brings the past to life through her Long-Hair book series set in fifth century Rome. Miller holds two degrees and has taught history and English classes. Her third book “A Sword Among Ravens” was just published.

Why do you choose to write romantic historical novels?

Even as a teen, I was captivated by classic stories like Ivanhoe, Romeo and Juliet, The Count of Monte Cristo, War and Peace, Pride and Prejudice, and many more. I enjoy escaping into a world of adventure, intrigue, romance, and drama. I feel at home and comfortable writing romantic adventure stories set in historical settings. I taught history, and I find the cultures, traditions, and beliefs of the past fascinating. I also enjoy a good love story.

Will you share your writing process?

I’m definitely a ‘plotter’! I usually start with an idea, and then I move to the main characters I envision. I’ll describe their situation and characteristics on paper. I think about what they must have or attain, what they are willing to do, or how far they are willing to go to achieve this goal. I try to define the main conflict and their ‘hero’s journey,’ individually and together. I like creating exciting connections between leading and supporting characters as well. At times, I let the muses lead me, and often it’s not where I intended to go! Practically, I use graphic web organizers (somewhat similar to a storyboard) or synopsis to help me plot my way through the book. I like twists, mystery, or intrigue to run through the storyline and a HEA (Happily Ever After).

Your novels contain historical facts, mystery and intrigue along with sexual content. For you, what makes a great story?

Some might say they find a great story relatable. But I don’t necessarily need that connection to feel captivated by a story. I’ve not lived in Czarist Russia, or been condemned to an isolated prison cell unjustly, or been stranded on an island, but I can still be swept away by the experiences of others. I’m most attracted to people put into difficult situations and how they overcome these obstacles. I like the real aspects of a love relationship. In this respect, we see across our media ever-present expressions of love and sexuality, so why not in our literature? And I absolutely love the challenge that comes from solving a mystery and the surprise of a clever twist.

In the first book “On the Edge of Sunrise” of your Long-Hair series, romance drives the plot. How do you maintain the romantic interest across books two and three? 

In books two and three, “The Quest for the Crown of Thorns” and “A Sword Among Ravens” the heroine and hero are married. Along the way, their love is tested, but at the same time, their first spark was a ‘love at first sight’ moment, which I based on stories I read about past and contemporary love matches that claimed this was their experience. I found myself wondering how this can happen and why often these relationships endure. Arria and Garic are from two opposing cultures and share trials and have differences, but their mutual love has helped them grow closer and form a deeper commitment to their relationship. I find this romantic.

Your heroine is not the typical damsel in distress. What are some of the ways you avoid stereotypical characters?

I try to envision real-life scenarios when creating my characters, often based on people or certain aspects of people I know, or have known or read about, and real events. I think people are people, regardless of when in history they’ve lived. Have women at times been in situations where they needed saving? Of course, but there have also been women who managed to save themselves and even others when put in dangerous situations.

Where do you draw the line when it comes to sexual content?

I must admit I “leave the bedroom door open,” but I believe sexuality is a part of life. Fortunes, governments, kingdoms, families, and wars have been won and lost over the desire for love and sex. It’s just another way humans express themselves, and its presence is everywhere in our media. I usually avoid erotica, and I follow the author Diana Gabaldon of the Outlander series and other writers that include sexuality in their novels. I lean towards using the senses through sensual expression.

How much of an influence is time period/setting/geography for you?

I became intrigued with late ancient Rome and the barbarian groups while teaching history. I discovered that the Roman Empire in the fifth century was an era of violent change, rich in drama, and ripe for storytelling. As a child, I heard stories from older relatives that pointed to our lineage tracing back into Italian history. I felt taken by a sense of purpose and direction. I’m also attracted to other periods, such as the 1700’s and Renaissance. I’m currently thinking about a time-slip novel set in a modern-day and historical period as well.

What are the biggest challenges to writing a romantic historical novel? 

Without a doubt, the research. Many authors who write historical novels feel obligated to present the historical period as accurately as possible. We not only want the reader to enjoy an exciting and engaging story but to learn about historical events, customs, important aspects or viewpoints—religious or political—of the chosen period. A romantic historical takes the reader beyond the castle walls, a tribal clan, or a country estate. I view it as more expansive than a traditional historical romance.

Where do you look for feedback on what you’ve written?

I belong to several writers groups. I’ve been a member of the Barrington Writer’s Workshop for over ten years and found their suggestions and critiques invaluable. I’m also part of a four-member group of writers writing historical novels, who I consider my core group for review, editing, and evaluation. I’m also a member of the Historical Novel Society and the Romance Writers of America that provide guidance through workshops and periodicals.

What route did you take to publish your first book? Did you see your story as a series when you started out?

I did think of my story as a series. When I was offered a publishing deal through the traditional company Knox Robinson Publishing—London and New York for my first novel, On the Edge of Sunrise, they required a three-book contract, which I accepted.

How do you market your books?

I market in many ways. I like Author fairs to meet prospective readers, as a guest blogger on authors’ and reviewers’ websites, advertising on social media, and blog tours.

What social media platforms do you like to boost your profile as a writer?

Website: www.cynthiaripleymiller.com

Facebook: https://www.facebook.com/cynthiaripleymiller/

Twitter: https://twitter.com/CRipleyMiller

Pinterest: https://www.pinterest.com/cripleymiller/ancient-world-fiction/

Amazon: https://www.amazon.com/Cynthia-Ripley-Miller/e/B012P0FJC6

Goodreads: https://www.goodreads.com/book/show/56274617-a-sword-among-ravens